Hello Mr.Bones and Goodbye Mr.Rat are a pair of spine tingling tales which constitute Patrick Mc Cabe’s latest release Hello and Goodbye. Both tales feature dead protagonists recounting their last days and beyond. As is befitting characters created by a writer who revels in unreliable narrators we are unsure whether the stories told are confessional revelations, self-serving lies or perhaps a bit of both.
Hello Mr.Bones tells the story of Mr.Valentine Shannon a former, somewhat disgraced, Irish Christian brother now living in England with his partner Chris and her disabled son Faisal. Having found happiness in his new relationship and teaching job it seems that Mr.Shannon is about to find some measure of peace in his new life.
Or at least it would were his story not related to us by deceased and demonic Anglo-Irish Dandy, Balthazar Bohan. Balthazar, having to his mind taken the young Valentine under his wing, is filled with indignation about the aftermath of their ‘friendship’. When certain allegations about Mr.Bohan’s imprurient interest in young Valentine and what occurs during his screenings of Betty Boop cartoons in his projector room emerge, the stage is set for Mr.Bohan’s downfall. Swearing revenge with his last breath, Mr.Bohan proves to be a man of his word.
Mr.Bohan’s machinations against Valentine culminate on the sixteenth of October 1987, the day when a Hurricane struck England despite the assurances of Micheal Fish, the famous British weatherman. Mc Cabe is an expert at weaving pop cultural tropes into his narratives in unsettling ways using them to create an atmosphere of uncanny horror. Betty Boop, Micheal Fish and a jingle from an old toothpaste advert to name just a few pop cultural touchstones referenced in this story, are used to chilling effect. A demonic clown called Mr.Bonio who has designs on Faisal adds to the creepiness especially for all those coulrophobics out there.
In Goodbye Mr.Rat, IRA man Gabriel King recounts his story for us from the confines of the urn where he currently resides. Gabriel is escorted by his friend, talented playwright Beni Banikin, back to his homeland from America to fulfil his dying wish of having his ashes spread there. Beni, a woman who has known trouble herself, believes Gabriel is a hero, a hunger striker who defected from the IRA in disgust at a particular incident in the village Altnavogue, where a bomb was placed in a baby’s cot.
Is Gabriel the principled freedom fighter he claims to be or could he be an eloquent thug duping an impressionable American with his stories of unsullied heroism and his sentimental self-justifying nationalism? When Beni arrives in Gabriel’s home town and meets the locals, including former IRA man turned Mayor, Mr.‘Dog’ White , her hero’s stories begin to unravel and tragedy becomes inevitable.
Both stories feature little in the way of the explicit anatomically detailed violence found in much modern horror. The horror instead is psychological and resides in gradual revelation and atmosphere. These gothic style stories create a genuine unease and offer no tidy reassuring resolutions. In fact the ending of Hello Mr.Bones foreshadows further horrific acts rather than cathartic overcoming of opposition.
These stories get under your skin to make you shiver. The horror resides just below the surface. Horrific acts of abuse are cloaked in colloquialisms and evasions by the self-serving narrators. For me this is the most effective way of creating dread in a reader. When things are seen in the plain light of day they become banal and ineffective, too determined, whereas real horror resides in uncertain anticipation. I found both stories to be excellent examples of modern Irish Gothic and would recommend Hello and Goodbye, to anyone who is looking to spend an evening or two breaking out in goosebumps.